“You Can See Everything” has become a highly discussed movie that viewers are eager to experience without spoilers. The documentary, which delves into the story of Elizabeth Holmes, the founder of Theranos and a convicted fraudster, attracted a large audience during its opening weekend. Despite being screened in only 855 theaters in Canada and the U.S., the film generated over $15 million in ticket sales, marking the second-highest debut for a non-musical documentary in domestic box office history after 2004’s “Fahrenheit 9/11.”
Receiving rave reviews post-release, “You Can See Everything” achieved a remarkable 99% fresh rating on Rotten Tomatoes and a 4.8 rating on Letterboxd, making it the highest-rated film on the platform. The documentary’s unique premise follows a film crew, led by directors Nathan Fielder and Lance Oppenheim, as they document the lives of Elizabeth Holmes, her partner Billy Evans, and their children in the 34 days leading up to Holmes’ imprisonment for fraud.
Toronto film critic Teri Hart described the theatrical impact of watching “You Can See Everything,” noting the audience’s physical engagement with the screen, gasps, applause, and laughter throughout the viewing. The documentary’s intense and discomforting interviews, reminiscent of Fielder’s previous work on “Nathan for You,” challenge perceptions of truth and reality.
Distributed by A24, the company behind notable films like Olivia Wilde’s “The Invite” and the Anthony Bourdain biopic “Tony,” “You Can See Everything” showcases the brand’s commitment to collaborating with visionary directors. Hart emphasized the film’s ability to provoke thought and discussion among viewers, highlighting its departure from conventional storytelling and its open-ended narrative that leaves audiences with lingering questions.
In summary, “You Can See Everything” has sparked conversations and reflection among moviegoers, encouraging a return to theaters for an immersive and thought-provoking experience that challenges traditional storytelling norms.
